Casa Batlló, built between 1904 and 1906 in the heart of the city of Barcelona, is the most emblematic work of the brilliant Catalan architect.
Gaudí gave Casa Batlló a facade that is original, fantastical and full of imagination. He replaced the original facade with a new composition of stone and glass. He ordered the external walls to be redesigned to give them a wavy shape, which was then plastered with lime mortar and covered with a mosaic of fragments of coloured glass and ceramic discs.
At the top of the facade, the roof is in the shape of an animal’s back with large iridescent scales. The spine which forms the ornamental top is composed of huge spherical pieces of masonry in colours which change as you move along the roof-tree from one end to the other.
The long gallery of the main suite, the Noble Floor, overlooking Passeig de Gràcia, is composed of wooden-framed windows which are opened and closed by raising and lowering using counterweights. They are unusual in that there are no jambs or mullions, so that it is possible to raise all of the window panes and have a continuous panoramic opening running the full width of the room.
On the level of the ground floor, the Noble Floor and the first floor, the facade includes slender pillars of Montjuic stone which form bone-like shapes and are decorated with typically modernist floral designs.
The balcony railings in the shape of masks are made of wrought iron cast in a single piece and are secured by two anchor points in such a way that the balconies partly project outwards.
As a whole, the facade is a joyful and allegorical representation, full of organic elements and colours and charged with symbolism, a wonderful spectacle in the city which inspires the most sublime sentiments in all those who gaze upon it. The house is a dialogue between light and colour.
On our recent trip to Barcelona, we went to Montserrat, which is a spectacularly beautiful Benedictine monk mountain retreat about one hour North West from Barcelona by train.
Not only is Montserrat Monastery of significant religious importance but the natural beauty surrounding the monastery is simply breathtaking. When we arrived there, it was still very foggy and couldn’t see anything, but as the day went, the fog cleared and an astounding beauty greeted us. We walked around, enjoying the experience.
Thursday Doors is a weekly feature allowing door lovers to come together to admire and share their favorite door photos from around the world. Feel free to join in on the fun by creating your own Thursday Doors post each week and then sharing it.
Hello everyone! I’ve just signed up for the NaNoPolano so I’m doing three days in one. I promise to post one a day this month.
What makes me smile? Lots of things make me smile. As some of you know, I’ve just got back from our holiday in Catalonia, Spain and it was brilliant. It made me smile a lot. I went with cousins from Cologne and Dubai and we met in Barcelona. Our 5 days holiday was full of sight seeing of Gaudi’s Sagrada Familia, Park Guell, Casa Battlo, Cathedral, La Rambla, Gothic part, etc. We also went to Girona, Figueres and Montserrat by bus/train. We had lots of fun, tapas, seafoods, Cava and Sangria.
What’s my zodiac sign? I’m a Sagittarian and I think it fits me well.
I’m a Sagittarian through and through
I love adventure and excitement
I’ll do anything to make my friends happy
I’m always there to give them a hand
And never expect any favours in return
I have this old policy of “live and let live”
I want to explore the world, rivers and seas
I look for things to do, to gain wisdom and learn
In turn, I seem to be guided by good luck
The downside, I can be reckless and stumble
Frequently because I jump at something new
Before thinking of the pros and cons
Love me or hate me, I’m me – a Sagittarian
Are you messy or neat? Does it matter to you? I must say I’m in between, sometimes messy sometimes neat and no, it doesn’t matter to me. What matters is I’m enjoying what I’m doing, probably clean up afterwards. As I always say, there is order in chaos, too.
The main importance of the church of the Colonia Güell in so far as Gaudi goes is that this is where Gaudi brought together for the first time all of his architectural innovations. As Gaudi said, had the church been finished it would have been a “monumental model of the Sagrada Familia”
In the church we can see Gaudi created the naves single space without using buttresses, flying buttresses or supporting walls. This was possible thanks to a combination of leaning pillars and catenary arches which also result in the hyperbolic paraboloid shape of the perimeter walls. This same integrative spirit is reflected on the inside as well as in the fusion of the building with the environment –the different levels of the naves are adapted to the hill’s slope and the materials and colors used similar to those of the surrounding vegetation-
All of these elements constitute a set of original solutions which answer to the desire for synthesis between structural planning, construction techniques, and architectural shapes. Notwithstanding, these also contribute to the purely aesthetic and symbolic values of the ornamental elements. The Church of the Colonia Güell includes numerous examples of Gaudí’s control of the applied arts regarding both practical and purely ornamental decoration. (from: http://www.gaudicoloniaguell.org/en/what-visit/gaudis-crypt)